Tony Smith Architecture: Catalogue Raisonné Volume 2
暫譯: 托尼·史密斯建築：圖錄全編 第二卷

James Voorhies is an American curator and historian of modern and contemporary art. He has authored several books including Postsensual Aesthetics: On the Logic of the Curatorial (MIT Press, 2023) and Beyond Objecthood: The Exhibition as a Critical Form since 1968 (MIT Press, 2017); he is coeditor of a two-volume catalogue raisonné of the work of American artist Tony Smith, and editor of two companion volumes of essays and projects related to Smith (all MIT Press, 2024-2025).Voorhies is based New York, has taught at Bennington College and Harvard University, and holds a PhD in modern and contemporary art history from the Ohio State University, USA.

Sarah Auld has been the director of the Tony Smith Estate since 1990. Her responsibilities include the oversight of the artist's archive, which holds over 2000 drawings and sketches as well as maquettes for sculptures, architectural models, and Smith's writings and correspondence.

詹姆斯·沃里斯（James Voorhies）是一位美國的現代與當代藝術策展人及歷史學家。他著有多本書籍，包括《後感官美學：策展邏輯》（Postsensual Aesthetics: On the Logic of the Curatorial，麻省理工學院出版社，2023年）和《超越物體性：自1968年以來的展覽作為批判形式》（Beyond Objecthood: The Exhibition as a Critical Form since 1968，麻省理工學院出版社，2017年）；他還是美國藝術家托尼·史密斯（Tony Smith）作品的兩卷本圖錄編輯，以及與史密斯相關的兩本隨附論文和項目的編輯（均為麻省理工學院出版社，2024-2025年）。沃里斯常駐紐約，曾在本寧頓學院（Bennington College）和哈佛大學（Harvard University）任教，並持有美國俄亥俄州立大學的現代與當代藝術歷史博士學位。

薇薇安·奧爾德（Sarah Auld）自1990年以來一直擔任托尼·史密斯基金會的主任。她的職責包括監督藝術家的檔案，該檔案保存了超過2000幅素描和草圖，以及雕塑模型、建築模型和史密斯的著作與信件。