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商品描述
A cultural history of the shipping container as a crucible of globalization and a cultural paradigm. We live in a world organized around the container. Standardized twenty- and forty-foot shipping containers carry material goods across oceans and over land; provide shelter, office space, and storage capacity; inspire films, novels, metaphors, and paradigms. Today, TEU (Twenty Foot Equivalent Unit, the official measurement for shipping containers) has become something like a global currency. A container ship, sailing under the flag of one country but owned by a corporation headquartered in another, carrying auto parts from Japan, frozen fish from Vietnam, and rubber ducks from China, offers a vivid representation of the increasing, world-is-flat globalization of the international economy. In The Container Principle, Alexander Klose investigates the principle of the container and its effect on the way we live and think. Klose explores a series of "container situations" in their historical, political, and cultural contexts. He examines the container as a time capsule, sometimes breaking loose and washing up onshore to display an inventory of artifacts of our culture. He explains the "Matryoshka principle," explores the history of land-water transport, and charts the three phases of container history. He examines the rise of logistics, the containerization of computing in the form of modularization and standardization, the architecture of container-like housing (citing both Le Corbusier and Malvina Reynolds's "Little Boxes"), and a range of artistic projects inspired by containers. Containerization, spreading from physical storage to organizational metaphors, Klose argues, signals a change in the fundamental order of thinking and things. It has become a principle.
商品描述(中文翻譯)
集裝箱的文化歷史:全球化的熔爐與文化範式。
我們生活在一個圍繞集裝箱組織的世界中。標準化的二十英尺和四十英尺集裝箱將物質商品跨越海洋和陸地運輸;提供庇護所、辦公空間和儲存能力;啟發電影、小說、隱喻和範式。如今,TEU(Twenty Foot Equivalent Unit,集裝箱的官方計量單位)已成為某種全球貨幣。一艘集裝箱船,懸掛著一國的國旗,但由總部位於另一國的公司擁有,運載著來自日本的汽車零件、來自越南的冷凍魚和來自中國的橡膠鴨,生動地展示了國際經濟日益平坦化的全球化現象。在The Container Principle中,亞歷山大·克洛斯(Alexander Klose)探討了集裝箱的原則及其對我們生活和思維方式的影響。
克洛斯在其歷史、政治和文化背景下探討了一系列“集裝箱情境”。他將集裝箱視為時間膠囊,有時會脫離束縛,沖上岸來展示我們文化的文物清單。他解釋了“馬特ryoshka原則”,探討了陸水運輸的歷史,並描繪了集裝箱歷史的三個階段。他考察了物流的興起、計算機的集裝箱化(以模組化和標準化的形式)、類似集裝箱的住房建築(引用了勒·柯布西耶和馬爾維娜·雷諾茲的《小盒子》),以及一系列受集裝箱啟發的藝術項目。克洛斯主張,集裝箱化從物理儲存擴展到組織隱喻,標誌著思維和事物基本秩序的變化。它已成為一種原則。
作者簡介
Alexander Klose is a researcher and curator in the program department of the German Federal Cultural Foundation.
作者簡介(中文翻譯)
亞歷山大·克洛斯(Alexander Klose)是德國聯邦文化基金會(German Federal Cultural Foundation)計畫部門的研究員和策展人。