Anarchitecture After Everything: A Trans Manifesto
暫譯: 一切之後的反建築:一份跨性別宣言

Halberstam, Jack

  • 出版商: Summit Valley Press
  • 出版日期: 2026-08-18
  • 售價: $1,540
  • 貴賓價: 9.5$1,463
  • 語言: 英文
  • 頁數: 296
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 0262052423
  • ISBN-13: 9780262052429
  • 尚未上市,無法訂購

商品描述

A revolutionary way of seeing bodies and built environment that unites radical politics and trans aesthetics.

From a leading author and queer theorist known for reframing many of the most pressing questions about counter-intuitive ways of being.

Anarchitecture, a radical aesthetic practice of unbuilding and unmaking the built environment in the 1970s, staged a vigorous confrontation with urban renewal and gentrification projects. In Anarchitecture After Everything, Jack Halberstam identifies a powerful lexicon of transformation within Anarchitecture and joins the art movement's practices of cutting and splitting with the destabilizing power of transness to detonate acts of formal violence in our time.

Anarchitecture describes the aesthetic practice of splitting and cutting, dismantling and undoing, unmaking and unbuilding, and, ultimately unworlding. The trans body splits bodily coherence, dismantles the gender binary, and unbuilds bodily meaning. In these chapters, Gordon Matta-Clark's cuts, along with Alvin Baltrop's images of collapsing warehouses and Beverly Buchanan's post-demolition fragmentary sculptures, return with a vengeance through the contemporary aesthetic gestures of Yve Laris Cohen, Jesse Darling, Nicole Eisenman, Kiyan Williams, Cassils, boychild and Every Ocean Hughes. Anarchitecture unmakes space and offers a new rhetoric for emptiness. In its conclusion, the book explores this rhetoric through Renee Gladman's anarchitectural experiments with language.

By reading anarchitecture through transness and transness through anarchitecture, Halberstam helps us see the trans body as a space of radical unmaking and as a portal to new lexicons for transformation.

商品描述(中文翻譯)

一種革命性的視角,重新看待身體與建築環境,結合了激進政治與跨性別美學。

這本書的作者是知名的酷兒理論家,擅長重新框架許多關於反直覺存在方式的迫切問題。

Anarchitecture,作為一種在1970年代的激進美學實踐,專注於拆解與重建建築環境,與城市更新及高檔化計畫展開了激烈的對抗。在Anarchitecture After Everything中,Jack Halberstam識別出Anarchitecture內部強大的轉化詞彙,並將這一藝術運動的切割與分裂實踐與跨性別的去穩定力量結合,點燃了當代形式暴力的行為。

Anarchitecture描述了切割與分裂、拆解與撤銷、重建與去建構,最終是去世界化的美學實踐。跨性別身體分裂了身體的一致性,拆解了性別二元,並去建構了身體的意義。在這些章節中,Gordon Matta-Clark的切割作品,連同Alvin Baltrop的倒塌倉庫影像和Beverly Buchanan的拆除後碎片雕塑,透過當代藝術家Yve Laris Cohen、Jesse Darling、Nicole Eisenman、Kiyan Williams、Cassils、boychild和Every Ocean Hughes的美學手勢強勢回歸。Anarchitecture去建構空間,並為空虛提供了一種新的修辭。在結論中,這本書通過Renee Gladman的語言無政府建築實驗探討了這種修辭。

通過跨性別的視角來閱讀Anarchitecture,並通過Anarchitecture來理解跨性別,Halberstam幫助我們將跨性別身體視為一種激進去建構的空間,以及通往新轉化詞彙的入口。

作者簡介

Jack Halberstam is David Feinson Professor of the Humanities at Columbia University and the author of seven books, including Trans*: A Quick and Quirky Account of Gender Variance, The Queer Art of Failure, and Female Masculinity. A 2024 Guggenheim fellow, he is the winner of the Arcus/Places Prize in 2018 for innovative public scholarship and was recently the subject of the film "So We Moved" by Adam Pendleton in 2022.

作者簡介(中文翻譯)

傑克·哈伯斯坦是哥倫比亞大學人文學科的戴維·費因森教授,並且是七本書的作者,包括Trans*: 性別變異的快速而古怪的敘述失敗的酷兒藝術女性陽剛氣質。他是2024年古根海姆獎學金得主,並於2018年獲得阿克斯/地方獎,以表彰其創新的公共學術貢獻,最近他也是亞當·彭德頓於2022年拍攝的電影《我們搬家了》的主題。