Against Reason, Volume 2: Tony Smith, Architecture, and Other Modernisms
暫譯: 反對理性,第二卷:Tony Smith、建築與其他現代主義
Voorhies, James
- 出版商: MIT
- 出版日期: 2025-04-29
- 售價: $1,140
- 貴賓價: 9.5 折 $1,083
- 語言: 英文
- 頁數: 192
- 裝訂: Quality Paper - also called trade paper
- ISBN: 0262551381
- ISBN-13: 9780262551380
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商品描述
Original essays and visual arts projects that explore the understudied breadth and richness of American artist Tony Smith's work in architecture.
Against Reason: Volume 2 is the companion publication to Tony Smith Catalogue Raisonné Architecture, the second in a two-volume, four-book printed publication series dedicated to Tony Smith's sculpture and architecture. Edited by curator and historian James Voorhies, Against Reason gathers newly commissioned essays together with visual arts projects by practitioners and critics, including Mario Gooden, Christopher Ketcham, Marta Kuzma, Peter L'Official, R.H. Quaytman, and Jasmine Rault. Their contributions from a wide range of disciplines-- from American studies, architecture, and art history to theory, design, and visual art--place Smith's architectural design work in dialogue with contemporary culture, expanding perspectives on the artist's canonical work and offering fresh twenty-first-century insights. The Against Reason books complicate and pluralize the very idea of the catalogue raisonné to challenge the monolithic place these forms have in writing art history by providing a more nuanced and historically rich lens through which the Tony Smith archive and his work can be read. In this case, the dual-publication project is an innovative approach to scholarship that situates Smith within contemporary culture, thus making evident his ongoing relevance in the fields of art and design.
Against Reason: Volume 2 is the companion publication to Tony Smith Catalogue Raisonné Architecture, the second in a two-volume, four-book printed publication series dedicated to Tony Smith's sculpture and architecture. Edited by curator and historian James Voorhies, Against Reason gathers newly commissioned essays together with visual arts projects by practitioners and critics, including Mario Gooden, Christopher Ketcham, Marta Kuzma, Peter L'Official, R.H. Quaytman, and Jasmine Rault. Their contributions from a wide range of disciplines-- from American studies, architecture, and art history to theory, design, and visual art--place Smith's architectural design work in dialogue with contemporary culture, expanding perspectives on the artist's canonical work and offering fresh twenty-first-century insights. The Against Reason books complicate and pluralize the very idea of the catalogue raisonné to challenge the monolithic place these forms have in writing art history by providing a more nuanced and historically rich lens through which the Tony Smith archive and his work can be read. In this case, the dual-publication project is an innovative approach to scholarship that situates Smith within contemporary culture, thus making evident his ongoing relevance in the fields of art and design.
商品描述(中文翻譯)
原創論文和視覺藝術項目,探索美國藝術家Tony Smith在建築領域中尚未被充分研究的廣度和豐富性。
作者簡介
James Voorhies is an American curator and historian of modern and contemporary art. He has authored several books including Postsensual Aesthetics: On the Logic of the Curatorial (MIT Press, 2023) and Beyond Objecthood: The Exhibition as a Critical Form since 1968 (MIT Press, 2017); he is coeditor of a two-volume catalogue raisonné of the work of American artist Tony Smith, and editor of two companion volumes of essays and projects related to Smith (all MIT Press, 2024-2025).Voorhies is based New York, has taught at Bennington College and Harvard University, and holds a PhD in modern and contemporary art history from the Ohio State University, USA.
作者簡介(中文翻譯)
詹姆斯·沃里斯(James Voorhies)是一位美國的策展人和現代與當代藝術歷史學家。他著有多本書籍,包括《後感官美學:策展邏輯》(Postsensual Aesthetics: On the Logic of the Curatorial,麻省理工學院出版社,2023年)和《超越物體性:自1968年以來的展覽作為批判形式》(Beyond Objecthood: The Exhibition as a Critical Form since 1968,麻省理工學院出版社,2017年);他還是美國藝術家托尼·史密斯(Tony Smith)作品的兩卷本圖錄編輯,以及與史密斯相關的兩本隨附論文和項目的編輯(均為麻省理工學院出版社,2024-2025年)。沃里斯常駐紐約,曾在本寧頓學院和哈佛大學任教,並持有美國俄亥俄州立大學的現代與當代藝術歷史博士學位。