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商品描述
Whether contrasting the transformation of Africa's oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
Contributors. Tony Bennett, David Bunn, Gustavo Buntinx, Cuauhtémoc Camarena, Andrea Fraser, Martin Hall, Ivan Karp, Barbara Kirshenblatt-Gimblett, Corinne A. Kratz, Christine Mullen Kreamer, Joseph Masco, Teresa Morales, Howard Morphy, Ingrid Muan, Fred Myers, Ciraj Rassool, Vicente Razo, Fath Davis Ruffins, Lynn Szwaja, Krista A. Thompson, Leslie Witz, Tomás Ybarra-Frausto
商品描述(中文翻譯)
《博物館摩擦》是一本關於文化、社會和博物館的暢銷系列的第三卷。該系列的前兩卷《展現文化》和《博物館與社區》已成為對博物館展示和遺產地政治感興趣的讀者的定義性著作。《博物館摩擦》是一本華麗插圖的著作,深入探討了日益全球化的世界對當代博物館、遺產和展覽實踐的重大而多樣的影響。貢獻者包括學者、藝術家和策展人,提供來自非洲、澳大利亞、北美和南美、歐洲及亞洲的案例研究。他們共同提供了對國家和社區博物館、藝術和歷史博物館、紀念碑、遺產地和主題公園在創造公共文化中所扮演的複雜角色的多面向分析。
無論是對比非洲最古老的博物館南非博物館與其最新的博物館Lwandle移民勞工博物館;提供對比爾巴鄂古根海姆博物館音頻導覽的詮釋;反思秘魯和柬埔寨藝術博物館的相對稀少;考慮美國和加納的奴隸制表現;或思考在紐約市亞洲協會舉辦的澳大利亞原住民藝術展的影響,貢獻者們突顯了全球博物館和遺產地出現的摩擦、矛盾和合作。該卷以Ivan Karp和Corinne A. Kratz的廣泛導言開篇,他們是博物館和遺產研究領域的領先學者。
貢獻者:Tony Bennett、David Bunn、Gustavo Buntinx、Cuauhtémoc Camarena、Andrea Fraser、Martin Hall、Ivan Karp、Barbara Kirshenblatt-Gimblett、Corinne A. Kratz、Christine Mullen Kreamer、Joseph Masco、Teresa Morales、Howard Morphy、Ingrid Muan、Fred Myers、Ciraj Rassool、Vicente Razo、Fath Davis Ruffins、Lynn Szwaja、Krista A. Thompson、Leslie Witz、Tomás Ybarra-Frausto
作者簡介
Ivan Karp is National Endowment for the Humanities Professor and Co-Director of the Center for the Study of Public Scholarship at Emory University. He has coedited numerous books, including Museums and Communities: The Politics of Public Culture and Exhibiting Cultures: The Poetics and Politics of Museum Display.
Corinne A. Kratz is Professor of Anthropology and African Studies and Co-Director of the Center for the Study of Public Scholarship at Emory University. She is the author of The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition.
Lynn Szwaja is Program Director for Theology at the Henry Luce Foundation.
Tomás Ybarra-Frausto was, until retirement in 2005, Associate Director for Creativity and Culture at the Rockefeller Foundation. In 1998, he was awarded the Joseph Henry Medal for "exemplary contributions to the Smithsonian Institution."
作者簡介(中文翻譯)
伊凡·卡普(Ivan Karp)是美國人文基金會教授及埃默里大學公共學術研究中心的共同主任。他共同編輯了多本書籍,包括《博物館與社區:公共文化的政治》(Museums and Communities: The Politics of Public Culture)和《展現文化:博物館展示的詩學與政治》(Exhibiting Cultures: The Poetics and Politics of Museum Display)。
科琳·A·克拉茲(Corinne A. Kratz)是人類學與非洲研究的教授,以及埃默里大學公共學術研究中心的共同主任。她是《被渴望的:攝影展中的溝通與表徵政治》(The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition)的作者。
林·斯瓦雅(Lynn Szwaja)是亨利·盧斯基金會的神學項目主任。
托馬斯·伊巴拉-弗勞斯托(Tomás Ybarra-Frausto)在2005年退休前是洛克菲勒基金會創意與文化的副主任。1998年,他因「對史密森學會的模範貢獻」獲得約瑟夫·亨利獎章(Joseph Henry Medal)。