Audio Culture: Readings in Modern Music (Paperback)
暫譯: 音響文化:現代音樂讀本(平裝本)

Christoph Cox, Daniel Warner

  • 出版商: Continuum
  • 出版日期: 2004-09-01
  • 售價: $1,352
  • 貴賓價: 9.5$1,284
  • 語言: 英文
  • 頁數: 454
  • 裝訂: Paperback
  • ISBN: 0826416152
  • ISBN-13: 9780826416155
  • 相關分類: 視覺影音設計
  • 無法訂購

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商品描述

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.

Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, Ambient music, HipHop, and Techno. Instead of focusing on the putative "crossover" between "high art" and "popular culture," Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.

Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction. Section headings include topics such as "Modes of Listening," "Minimalisms," and "DJ Culture." In addition, each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts. The book concludes with a glossary, a timeline, and an extensive discography.

商品描述(中文翻譯)

《音響文化:現代音樂讀本》(Continuum;2004年9月;平裝本)開創性地描繪了當今前衛音樂的聽覺與論述領域。《音響文化》並非提供當代音樂的歷史,而是追溯當前音樂實踐與理論關注的系譜,並在近期音樂創作與早期聲音實驗之間劃出聯繫。它旨在突顯過去幾十年中音樂創作與表演的各種重組,並為這種新的音響文化提供批判性和理論性的語言。

透過哲學家、文化理論家和作曲家的著作,《音響文化》探討了極簡主義、不確定性、具體音樂、自由即興、實驗音樂、前衛搖滾、杜布雷吉、環境音樂、嘻哈音樂和電子音樂等形式之間的相互聯繫。《音響文化》並不專注於「高藝術」與「流行文化」之間的所謂「交叉」,而是將這些音樂視為平等的實驗性實踐,彼此相連。儘管文化研究通常從社會學的角度看待音樂(主要是流行音樂),但這裡的關注是哲學的、音樂的和歷史的。

《音響文化》收錄了過去半世紀一些最重要的音樂思想家的著作,包括約翰·凱奇(John Cage)、布萊恩·伊諾(Brian Eno)、格倫·古爾德(Glenn Gould)、翁貝托·艾可(Umberto Eco)、奧內特·科爾曼(Ornette Coleman)、雅克·阿塔利(Jacques Attali)、西蒙·雷諾茲(Simon Reynolds)、保琳·奧利維羅斯(Pauline Oliveros)、保羅·D·米勒(Paul D. Miller)、大衛·圖普(David Toop)、約翰·佐恩(John Zorn)、卡爾海因茨·斯托克豪森(Karlheinz Stockhausen)等人。該書分為九個主題組織的部分,每部分都有自己的介紹。部分標題包括「聆聽模式」、「極簡主義」和「DJ文化」。此外,每篇文章都有自己的簡短介紹,幫助讀者將該文章置於音樂、歷史和概念的背景中。該書以詞彙表、時間線和廣泛的唱片目錄作結。