Innovation in Music: Current Research Perspectives
暫譯: 音樂創新：當前研究視角

《音樂創新：當前研究視角》是一部開創性的合集，匯集了來自講師、研究者和專業人士的貢獻，專注於音樂製作、音樂科技和音樂表演中的發現樂趣。

本書包含有關音樂製作及視障製作人的可及性、使用 AI 工具製作音樂，以及在合成和取樣工作流程中使用失真等主題，推薦給尋求全球音樂製作、商業和科技領域見解的學生、研究者和專業人士閱讀。

Claus Sohn Andersen is an Assistant Professor and Head of Program for the BA in Sound Engineering and Music Production at Kristiania University College, Norway, where he teaches Music Production.

Jan-Olof Gullö is Professor in Music Production at the Royal College of Music, Stockholm, and Visiting Professor at Linnaeus University, Sweden. His research interests include technical, entrepreneurial, and artistic aspects of creativity in music production.

Russ Hepworth-Sawyer is a Mastering Engineer with MOTTOsound, an Associate Professor at York St John University, UK, and the Managing Editor of the Perspectives on Music Production series for Routledge.

Mark Marrington is an Associate Professor in Music Production at York St John University, UK, having previously held teaching positions at Leeds College of Music and the University of Leeds. His research interests include metal music, music technology and creativity, the contemporary classical guitar, and twentieth-century British classical music, and his recently published book, Recording the Classical Guitar (2021), won the 2022 ARSC Award for Excellence in Historical Recorded Sound Research (Classical Music).

Justin Paterson is Professor of Music Production at London College of Music, University of West London, UK. He has numerous research publications as author and editor. His research interests include haptics, 3-D audio, and interactive music, fields that he has investigated over a number of funded projects. He is also an active music producer and composer; his latest album (with Robert Sholl) Les ombres du Fantôme was released in 2024 on Metier Records.

Rob Toulson is Director of RT60 Ltd, who develop innovative music applications for mobile platforms. He was formerly Professor of Creative Industries at the University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University, UK. Rob is an author and editor of many books and articles, including Drum Sound and Drum Tuning (2021), published by Routledge.

Claus Sohn Andersen 是挪威Kristiania大學的音響工程與音樂製作學士學位課程的助理教授及課程負責人，他教授音樂製作。

Jan-Olof Gullö 是瑞典斯德哥爾摩皇家音樂學院的音樂製作教授，並且是瑞典林奈大學的訪問教授。他的研究興趣包括音樂製作中的技術、創業和藝術創造力的各個方面。

Russ Hepworth-Sawyer 是MOTTOsound的母帶工程師，英國約克聖約翰大學的副教授，以及Routledge出版的《音樂製作觀點》系列的主編。

Mark Marrington 是英國約克聖約翰大學的音樂製作副教授，曾在利茲音樂學院和利茲大學擔任教職。他的研究興趣包括金屬音樂、音樂技術與創造力、當代古典吉他以及二十世紀英國古典音樂，他最近出版的書籍《錄音古典吉他》（2021）獲得了2022年ARSC歷史錄音聲音研究卓越獎（古典音樂）。

Justin Paterson 是英國西倫敦大學倫敦音樂學院的音樂製作教授。他作為作者和編輯發表了多篇研究出版物。他的研究興趣包括觸覺技術、3D音頻和互動音樂，這些領域他在多個資助項目中進行了研究。他也是一位活躍的音樂製作人和作曲家；他最新的專輯（與Robert Sholl合作）《Les ombres du Fantôme》於2024年在Metier Records發行。

Rob Toulson 是RT60 Ltd的董事，該公司為移動平台開發創新的音樂應用。他曾是威斯敏斯特大學創意產業的教授，以及英格蘭羅斯金大學CoDE研究所的主任。Rob是多本書籍和文章的作者和編輯，包括Routledge出版的《鼓聲與鼓調整》（2021）。