A New History of Theatre in France
暫譯: 法國戲劇新史

Finburgh Delijani, Clare, Biet, Christian

  • 出版商: Cambridge
  • 出版日期: 2024-11-21
  • 售價: $5,480
  • 貴賓價: 9.5$5,206
  • 語言: 英文
  • 頁數: 500
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 1108842372
  • ISBN-13: 9781108842372
  • 相關分類: 其他
  • 海外代購書籍(需單獨結帳)

相關主題

商品描述

Theatre in France was the first in Europe to be written in the vernacular as opposed to Latin. It has provided the English language with the medieval word farce, the early-modern word role, and the modern term mise en scène. Molière is single-handedly responsible for launching European-style playwriting in North Africa. Today, it is only a slight exaggeration to say that it's harder to get tickets for the Festival d'Avignon, one of the world's largest theatre festivals, than for the Rolling Stones' farewell tour. Containing chapters by globally eminent theatre experts, many of whom will be read in English for the first time, this collaborative history testifies to the central part theatre has played for over a thousand years in both French culture and world culture. Crucially, too, it places centre-stage the genders, ethnicities and classes that have had to wait in the wings of theatres, and of theatre criticism.

商品描述(中文翻譯)

法國的戲劇是歐洲第一個以白話文而非拉丁文創作的。它為英語提供了中世紀的詞彙 farce、早期現代的詞彙 role,以及現代術語 mise en scène。莫里哀(Molière)獨自負責在北非推動歐洲風格的劇作創作。如今,說要獲得世界上最大的戲劇節之一——阿維尼翁藝術節(Festival d'Avignon)的票比獲得滾石樂隊(Rolling Stones)告別巡演的票更難,這只是一點誇張。這本由全球著名的戲劇專家撰寫的合作歷史,許多人將首次以英語閱讀,證明了戲劇在法國文化和世界文化中超過一千年來所扮演的核心角色。更重要的是,它將性別、族裔和階級置於舞台中央,這些群體在戲劇和戲劇批評的舞台上一直處於幕後。