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商品描述
Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.
- Provides an exceptional collection of essays promoting a comparative understanding of China's long record of cultural production
- Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more
- Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory
- Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history
- Offers a rich insight into China's social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
商品描述(中文翻譯)
探索中國藝術的歷史，從最早的形式到現代，這本綜合性著作包含了二十篇新委託的論文，涵蓋了中國藝術及其理論歷史中核心的理論、類別和媒介。
- 提供了一個卓越的論文集，促進對中國悠久文化產出的比較理解
- 匯聚了來自東西方的國際學者團隊，他們的貢獻範圍從對前現代理論的概述，到探討書法、工筆畫、雕塑、配飾等主題
- 清晰表達了中國藝術史領域的發展方向，並為對比較研究或理論感興趣的歷史學家提供了路線圖
- 提出了對文人傳統的新解釋和修正主義詮釋，這一傳統長期以來一直是中國藝術史的重要組成部分
- 提供了對中國社會和政治機構、宗教和文化實踐以及知識傳統的深刻見解，並與中國藝術史、理論和批評相結合
作者簡介
Martin J. Powers is Sally Michelson Davidson Professor of Chinese Arts and Cultures at the University of Michigan, USA, and former director of the Center for Chinese Studies. His publications Art and Political Expression in Early China (1991) and Pattern and Person: Ornament, Society, and Self in Classical China (2006) have both received the Levenson Prize for the best books in pre-twentieth century Chinese Studies.
Katherine R. Tsiang is Associate Director of the Center for the Art of East Asia in the Department of Art History, University of Chicago, USA, where she coordinates research materials and programs. Her research is concentrated in the fields of Chinese Buddhist art and Chinese medieval art and visual culture. Her work includes using new technology for digital imaging and reconstruction of Chinese Buddhist caves and she is curator and author of the catalog of the exhibition "Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan" (2010).
作者簡介(中文翻譯)
馬丁·J·鮑威斯是美國密西根大學中國藝術與文化的薩莉·米切爾森·戴維森教授，並曾擔任中國研究中心的主任。他的著作《早期中國的藝術與政治表達》（1991年）和《模式與個人：古典中國的裝飾、社會與自我》（2006年）均獲得了勒文森獎，該獎項頒發給二十世紀前最佳的中國研究書籍。
凱瑟琳·R·蔡昂是美國芝加哥大學藝術史系東亞藝術中心的副主任，負責協調研究材料和計畫。她的研究集中在中國佛教藝術和中國中世紀藝術及視覺文化領域。她的工作包括利用新技術進行中國佛教洞窟的數位影像和重建，她也是展覽《過去的回聲：香堂山的佛教洞窟寺廟》（2010年）目錄的策展人和作者。
