Pop Stars on Film: Popular Culture in a Global Market
暫譯: 電影中的流行歌星：全球市場中的流行文化
Fairclough, Kirsty, Wood, Jason
- 出版商: Bloomsbury Academic
- 出版日期: 2023-02-23
- 售價: $4,590
- 貴賓價: 9.5 折 $4,361
- 語言: 英文
- 頁數: 240
- 裝訂: Hardcover - also called cloth, retail trade, or trade
- ISBN: 1501372513
- ISBN-13: 9781501372513
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相關主題
商品描述
Pop stars have provided audiences with performative moments that have become ingrained in popular consciousness. They are a lens through which deeper understandings about race, gender, politics, history and the artistic process can be understood. When combined with the most affective of mediums - cinema, the combination can be both thrilling and alarming.
From the relatively early days of cinema, figures from the world of popular music have made forays into acting and contributed cameo appearances. From Little Richard and Kylie Minogue to Nick Cave and Tom Waits, Pop Stars On Film: Popular Culture in a Global Market offers a collection of essays on some of the most influential international performances from a diverse range of cultural icons. The book considers industry shifts, access and diversity, but also the notion of cultural appropriation, audience appeal, marketing and demographics. Perhaps most importantly, the publication will look at what happens when cultures collide and coalesce.商品描述(中文翻譯)
流行音樂明星為觀眾提供了許多表演時刻，這些時刻已深深植入流行意識中。它們是理解種族、性別、政治、歷史和藝術過程的更深層次的視角。當這些與最具情感影響力的媒介——電影結合時，這種組合既令人興奮又令人警覺。
自電影的早期階段以來，來自流行音樂界的人物便開始涉足演藝，並貢獻了客串演出。從Little Richard和Kylie Minogue到Nick Cave和Tom Waits，Pop Stars On Film: Popular Culture in a Global Market提供了一系列關於一些最具影響力的國際表演的文章，這些表演來自多元文化的偶像。
本書考慮了產業變遷、可及性和多樣性，但也探討了文化挪用、觀眾吸引力、市場行銷和人口統計等概念。或許最重要的是，這本出版物將探討當文化碰撞和融合時會發生什麼。
作者簡介
Kirsty Fairclough is Professor of Screen Studies and Head of Research and Innovation at the School of Digital Arts at Manchester Metropolitan University, UK. She is the co-editor of Prince and Popular Culture (Bloomsbury), The Music Documentary: Acid Rock to Electropop, The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury), The Legacy of Mad Men: Cultural History, Intermediality and American Television., Music/Video: Forms, Aesthetics, Media (Bloomsbury) and author of the forthcoming Beyoncé Celebrity Feminism and Popular Culture (Bloomsbury). She is the curator of Sound and Vision: Pop Stars on Film and In Her View: Women Documentary Filmmakers film seasons at HOME, Manchester and Chair of Manchester Jazz Festival.
Jason Wood is Executive Director of Public Programmes and Audiences at the British Film Institute. Having worked in the independent British film industry for over 25 years, he is also a filmmaker, whose last work, the co-directed Always (Crashing) screened at numerous international festivals. A contributor to The Wire, Wood has also written for The Economist, Time Out, Sight and Sound, Little White Lies (and others), Wood is also the author of several books, including Nick Broomfield (2005) and The Faber Book of Contemporary Mexican Cinema (2nd edition, 2021).作者簡介(中文翻譯)
Kirsty Fairclough 是英國曼徹斯特城市大學數位藝術學院的螢幕研究教授及研究與創新部門負責人。她是 Prince and Popular Culture（Bloomsbury）、The Music Documentary: Acid Rock to Electropop、The Arena Concert: Music, Media and Mass Entertainment（Bloomsbury）、The Legacy of Mad Men: Cultural History, Intermediality and American Television、Music/Video: Forms, Aesthetics, Media（Bloomsbury）的共同編輯，並且是即將出版的 Beyoncé Celebrity Feminism and Popular Culture（Bloomsbury）的作者。她是曼徹斯特 HOME 的 Sound and Vision: Pop Stars on Film 和 In Her View: Women Documentary Filmmakers 影展的策展人，以及曼徹斯特爵士音樂節的主席。
Jason Wood 是英國電影協會公共項目及觀眾部門的執行董事。在獨立英國電影產業工作超過 25 年的他，同時也是一位電影製作人，他的最新作品 Always (Crashing) 在多個國際影展上放映。作為 The Wire 的撰稿人，Wood 也曾為 The Economist、Time Out、Sight and Sound、Little White Lies（及其他）撰寫文章，並且是幾本書的作者，包括 Nick Broomfield（2005）和 The Faber Book of Contemporary Mexican Cinema（第二版，2021）。
