Social Practices
暫譯: 社會實踐

Kraus, Chris

  • 出版商: Semiotext(e)
  • 出版日期: 2018-10-30
  • 售價: $850
  • 貴賓價: 9.8$833
  • 語言: 英文
  • 頁數: 296
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 1635900395
  • ISBN-13: 9781635900392
  • 無法訂購

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商品描述

Essays on and around art and art practices by the author of I Love Dick.

A border isn't a metaphor. Knowing each other for over a decade makes us witnesses to each other's lives. My escape is his prison. We meet in a bar and smoke Marlboros.
--from Social Practices

Mixing biography, autobiography, fiction, criticism, and conversations among friends, with Social Practices Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness.
Social Practices includes writings from and around the legendary "Chance Event--Three Days in the Desert with Jean Baudrillard" (1996), and "Radical Localism," an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota. She considers the work of such major contemporary artists as Jason Rhoades, Channa Horowitz, Simon Denny, Yayoi Kusama, Henry Taylor, Julie Becker, Ryan McGinley, and Leigh Ledare. Although Kraus casts a skeptical eye at the genre that's come to be known as "social practice," her book is less a critique than a proposition as to how art might be read through desire and circumstance, delirium, gossip, coincidence, and revenge. All art, she implies, is a social practice.

商品描述(中文翻譯)

由《我愛迪克》的作者撰寫的有關藝術及藝術實踐的隨筆。

邊界不是隱喻。認識彼此超過十年使我們成為彼此生活的見證者。我的逃避是他的監獄。我們在酒吧見面,抽著萬寶路。
--摘自社會實踐

社會實踐中,克里斯·克勞斯(Chris Kraus)將傳記、自傳、小說、批評和朋友之間的對話混合在一起,繼續自2004年以來對藝術生活和藝術世界的民族誌探索,該探索始於綠色視頻:洛杉磯藝術與虛無的勝利
社會實踐包括來自及圍繞傳奇的「偶然事件——與讓·博杜里亞(Jean Baudrillard)在沙漠中的三天」(1996)和「激進地方主義」,這是一個由克勞斯與馬爾科·維拉(Marco Vera)和理查德·比爾基特(Richard Birkett)於2012年共同策劃的來自普埃托·新沃(Puerto Nuevo)的墨西哥卡莉玫瑰(Mexicali Rose)藝術和媒體的展覽。克勞斯敏銳地關注奇特和異常的事物,描繪了埃利亞斯·方特斯(Elias Fontes),一位成為當代墨西哥藝術重要收藏家的帝國谷(Imperial Valley)乾草商,並記錄了明尼蘇達州北部一個鄉村便利店的衰亡。她考慮了如傑森·羅德斯(Jason Rhoades)、查娜·霍洛維茨(Channa Horowitz)、西蒙·丹尼(Simon Denny)、草間彌生(Yayoi Kusama)、亨利·泰勒(Henry Taylor)、朱莉·貝克(Julie Becker)、瑞安·麥金利(Ryan McGinley)和利·萊達(Leigh Ledare)等當代主要藝術家的作品。儘管克勞斯對被稱為「社會實踐」的類型持懷疑態度,但她的書籍不僅僅是批評,而是一種提議,探討藝術如何通過慾望和環境、狂熱、八卦、巧合和報復來解讀。她暗示,所有藝術都是一種社會實踐。