Yayoi Kusama: I Spend Each Day Embracing Flowers
暫譯: 草間彌生：我每天都在擁抱花朵
Kusama, Yayoi, Zelevansky, Lynn, Slifkin, Robert
- 出版商: David Zwirner Books
- 出版日期: 2024-09-03
- 售價: $2,110
- 貴賓價: 9.8 折 $2,067
- 語言: 英文
- 頁數: 168
- 裝訂: Hardcover - also called cloth, retail trade, or trade
- ISBN: 1644231336
- ISBN-13: 9781644231333
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相關分類:
設計攝影 Photograph
無法訂購
相關主題
商品描述
The newest book from the widely revered Japanese artist Yayoi Kusama features her latest monumental and vibrant work and is the first to explore the experience of seeing it from the lens of the visitor "My entire life has been painted here. Every day, any day. I will never cease dedicating my whole life to my love for the universe." --Yayoi Kusama One of the most influential artists of the twentieth and twenty-first centuries, Yayoi Kusama occupies a unique position within recent art history. Since the 1950s, she has created a profoundly personal oeuvre that resonates with a global audience. Distinctly recognizable, her works frequently deploy repetitive elements--such as dots--to evoke both microscopic and macroscopic universes. Celebrating the visitor experience, this publication offers an immersive tour of Kusama's 2023 exhibition at David Zwirner New York. Illustrating thirty-five paintings, a gigantic sculptural maze of pumpkin walls, a lush garden of towering flowers, and a fan-favorite Infinity Mirror Room, the result is a book that offers the sense of experiencing the work in person for readers who have not had the chance. New scholarship by Robert Slifkin looks at how Kusama innovates and complicates art historical traditions of image production and how her art seeks to connect humans with the greater cosmos. An essay by Lynn Zelevansky reflects on her own long-standing engagement with Kusama's work and the ways in which it, across the decades, can be seen as a record of love in all its complexity: full of humanity, generosity, affection, sadness, and pain.
商品描述(中文翻譯)
這本廣受推崇的日本藝術家草間彌生最新作品集展示了她最新的宏偉而充滿活力的作品，並首次從參觀者的視角探討觀看這些作品的體驗
'我整個生命都在這裡被描繪。每天，任何一天。我將永遠不會停止將我的整個生命獻給我對宇宙的愛。' --草間彌生 草間彌生是二十世紀和二十一世紀最具影響力的藝術家之一，在當代藝術史上佔有獨特的地位。自1950年代以來，她創作了深具個人色彩的作品，與全球觀眾產生共鳴。她的作品具有明顯的辨識度，經常使用重複的元素——如圓點——來喚起微觀和宏觀的宇宙。 這本出版物慶祝參觀者的體驗，提供了草間彌生2023年在大衛·茲維納（David Zwirner）紐約展覽的沉浸式導覽。書中展示了三十五幅畫作、一個巨大的南瓜牆雕塑迷宮、一個高聳花朵的繁茂花園，以及一個深受喜愛的無限鏡房，讓尚未親自體驗過的讀者感受到作品的臨場感。 羅伯特·斯利夫金（Robert Slifkin）的新研究探討了草間彌生如何創新並複雜化藝術史上圖像創作的傳統，以及她的藝術如何試圖將人類與更大的宇宙連結起來。琳恩·澤列萬斯基（Lynn Zelevansky）的一篇文章反思了她與草間彌生作品的長期互動，以及這些作品如何在幾十年中被視為愛的複雜記錄：充滿人性、慷慨、情感、悲傷和痛苦。作者簡介
Japanese artist Yayoi Kusama's (b. 1929) work has transcended two of the most important art movements of the second half of the twentieth century: pop art and minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Lynn Zelevansky is an American art historian and curator. Robert Slifkin is a professor of fine arts at the Institute of Fine Arts, New York University, where he teaches classes on modern and contemporary art and photography. He is the author of The New Monuments and the End of Man: U.S. Sculpture Between War and Peace, 1945-1975 and Out of Time: Philip Guston and the Refiguration of Postwar American Art, which was awarded the Phillips Book Prize. His essays and reviews have appeared in such journals as American Art, Artforum, The Art Bulletin, Art Journal, Burlington Magazine, October, Oxford Art Journal, and Racquet.
作者簡介(中文翻譯)
日本藝術家 草間彌生（生於1929年）的作品超越了二十世紀下半葉兩個最重要的藝術運動：波普藝術和極簡主義。她極具影響力的職業生涯涵蓋了繪畫、表演、房間大小的展示、戶外雕塑裝置、文學作品、電影、時尚、設計以及對現有建築結構的介入，這些作品同時暗示著微觀和宏觀的宇宙。
林·澤列萬斯基（Lynn Zelevansky）是一位美國藝術史學家和策展人。
羅伯特·斯利夫金（Robert Slifkin）是紐約大學美術學院的美術教授，教授現代和當代藝術及攝影課程。他是《新紀念碑與人類的終結：1945-1975年美國雕塑在戰爭與和平之間》（The New Monuments and the End of Man: U.S. Sculpture Between War and Peace, 1945-1975）和《超越時間：菲利普·古斯頓與戰後美國藝術的重構》（Out of Time: Philip Guston and the Refiguration of Postwar American Art）的作者，該書獲得了菲利普書獎（Phillips Book Prize）。他的文章和評論曾發表在《美國藝術》（American Art）、《藝術論壇》（Artforum）、《藝術公報》（The Art Bulletin）、《藝術期刊》（Art Journal）、《伯靈頓雜誌》（Burlington Magazine）、《十月》（October）、《牛津藝術期刊》（Oxford Art Journal）和《網球拍》（Racquet）等期刊上。
