商品描述
An electroacoustic, olfactory, and textual project by artist Florian Hecker. Florian Hecker is an artist whose work is realized through the technical manipulation of sensory data. By utilizing machinic scales and registers, Hecker creates environments marked at once by overwhelming complexity and vexing subtlety, where audience members are led to dwell on the outer limits of their own perceptual capacities.
Resynthesizers took place in Laurel Canyon, Los Angeles, in the Fitzpatrick-Leland House, a tri-level residence designed by Rudolf Schindler and built in 1936. Centered around a trio of compositions produced using a novel algorithm for texture synthesis, the exhibition also featured three olfactory accords selected by Marc vom Ende and Philip Kraft of Symrise, and three electrophoretic displays transmitting a libretto by Robin Mackay.
The molecular construction of sensory experience enabled by the technical manipulation and synthesis of materials emerges as a central theme of Resynthesizers. The regime of these 'immaterials' disjoins sensation from inherited conceptual models, and in the encounter with its resyntheses we are challenged to reintegrate sense and formulate new concepts.
Designed by NORM, Zurich, this meticulously assembled document features exhibition documentation by Fredrik Nilsen Studio and data visualizations by Axel Roebel alongside essays by Wendy Hui Kyong Chun and Alex H. Barnett, Marc Vom Ende and Philip Kraft, Robin Mackay, and Luciana Parisi.
商品描述(中文翻譯)
由藝術家 Florian Hecker 創作的聲電、嗅覺與文字計畫。
Florian Hecker 是一位透過對感官資料進行技術操弄來實現創作的藝術家。Hecker 運用機械尺度與感知層次，打造出同時具有壓倒性複雜度與令人困惑之細微性的環境，引導觀眾在自身感知能力的外部邊界上停留與探索。
Resynthesizers 於洛杉磯 Laurel Canyon 的 Fitzpatrick-Leland House 展出。這棟三層住宅由 Rudolf Schindler 設計，建於 1936 年。展覽以三件運用新穎紋理合成演算法製作的作品為核心，同時展出由 Symrise 的 Marc vom Ende 與 Philip Kraft 挑選的三組嗅覺調和，以及三部傳送 Robin Mackay 劇本的電泳顯示器。
透過對材料進行技術操弄與合成，使感官經驗得以在分子層次上建構，這一點成為 Resynthesizers 的核心主題。「非物質」所構成的體制，將感知與承襲而來的概念模型分離；而在面對這些重新合成的感知經驗時，我們受到挑戰，必須重新整合感官並形成新的概念。
本書由蘇黎世的 NORM 設計，經過縝密編排，收錄 Fredrik Nilsen Studio 的展覽紀錄、Axel Roebel 的資料視覺化作品，以及 Wendy Hui Kyong Chun、Alex H. Barnett、Marc Vom Ende、Philip Kraft、Robin Mackay 與 Luciana Parisi 撰寫的文章。
作者簡介
At the crossroads of performance, installation and publications, Florian Hecker works with synthetic sound, the listening process and the audience's auditory experience. Since 1996 Hecker has performed internationally in major concert halls, clubs and festivals for contemporary electronic music. Hecker also has an extensive discography that begins in the late 1990s and is characterized by a long-time association with the Mego/Editions Mego labels. Some of Hecker's recent solo exhibitions include Synopsis / Seriation, CU Art Museum, Boulder CO, USA; Halluzination, Perspektive, Synthese, Kunsthalle Wien, Vienna, Austria; Synopsis, Tramway, Glasgow, Scotland; Formulations; MMK Frankfurt, Frankfurt, Germany.
作者簡介(中文翻譯)
在表演、裝置藝術與出版之間的交會處，Florian Hecker 致力於合成聲響、聆聽過程，以及觀眾的聽覺體驗。自 1996 年起，Hecker 便活躍於國際舞台，曾在主要音樂廳、俱樂部，以及當代電子音樂節演出。Hecker 也擁有豐富的唱片作品，其作品發表始於 1990 年代末期，並以長期與 Mego／Editions Mego 唱片品牌的合作關係為特色。Hecker 近期的部分個展包括：《Synopsis / Seriation》，美國科羅拉多州 Boulder 的 CU Art Museum；《Halluzination, Perspektive, Synthese》，奧地利維也納的 Kunsthalle Wien；《Synopsis》，蘇格蘭 Glasgow 的 Tramway；《Formulations》，德國 Frankfurt 的 MMK Frankfurt。
