Artistic Labour Now: Between Specificity and Generality, Materiality and Immateriality, Production and Reproduction
暫譯: 當代藝術勞動：在特定性與一般性、物質性與非物質性、生產與再生產之間
Graw, Isabelle, Birnbaum, Daniel
- 出版商: Sternberg Press
- 出版日期: 2027-02-09
- 售價: $1,150
- 貴賓價: 9.5 折 $1,092
- 語言: 英文
- 頁數: 256
- 裝訂: Quality Paper - also called trade paper
- ISBN: 1915609585
- ISBN-13: 9781915609588
尚未上市，無法訂購
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商品描述
On the specificity and generality, materiality and immateriality, production and reproduction of artistic labor. Based on a symposium initiated by Isabelle Graw and Daniel Birnbaum at Frankfurt's Städelschule, Artistic Labour Now considers the relationship between the value-form of the unique artwork and the subject position of its maker in relationship to key artists and theorists.
In these collected essays, art historians, critics, artists, and writers approach modern and contemporary artistic labour from numerous angles, including Marxist theories of value, feminist theories of reproductive labour and contemporary theories of affective and immaterial labour. Contributors also shed light on the specificity of artistic labour in view of an increasingly globalized and digitized art economy, considering emergent possibilities for producing and distributing art created by recent developments in virtual reality, blockchain technologies and cryptocurrencies within today's immersive media landscape. In this expansive new sphere, notions of value, labour and economy in the broadest sense must be renegotiated, as the lines between specificity and generality, materiality and immateriality, production and reproduction are blurred. Contributors
Christian Berger, Sabeth Buchmann, Huey Copeland, Aria Dean, Simon Denny, Larisa Dryansky, Sylvia Federici, Isabelle Graw, Josh Kline, Michelle Kuo, Jaleh Mansoor, Friederike Sigler
In these collected essays, art historians, critics, artists, and writers approach modern and contemporary artistic labour from numerous angles, including Marxist theories of value, feminist theories of reproductive labour and contemporary theories of affective and immaterial labour. Contributors also shed light on the specificity of artistic labour in view of an increasingly globalized and digitized art economy, considering emergent possibilities for producing and distributing art created by recent developments in virtual reality, blockchain technologies and cryptocurrencies within today's immersive media landscape. In this expansive new sphere, notions of value, labour and economy in the broadest sense must be renegotiated, as the lines between specificity and generality, materiality and immateriality, production and reproduction are blurred. Contributors
Christian Berger, Sabeth Buchmann, Huey Copeland, Aria Dean, Simon Denny, Larisa Dryansky, Sylvia Federici, Isabelle Graw, Josh Kline, Michelle Kuo, Jaleh Mansoor, Friederike Sigler
作者簡介
Isabelle Graw is the publisher of the journal Texte zur Kunst, which she cofounded with Stefan Germer (1958-1998) in 1990, and professor of art history and art theory at the Hochschule für Bildende Künste-Städelschule, Frankfurt am Main. Her previous books include In Another World: Notes, 2014-2017, The Love of Painting: Genealogy of a Success Medium, and High Price: Art Between the Market and Celebrity Culture. Daniel Birnbaum is a Swedish art critic, theoretician, and curator. He was the director of the Museum of Modern Art (Moderna Museet) in Stockholm from 2010 to 2018, and currently directs the VR company, Acute Art.
作者簡介(中文翻譯)
伊莎貝爾·格勞（Isabelle Graw）是期刊《Texte zur Kunst》的出版人，該期刊於1990年由她與斯特凡·格爾默（Stefan Germer，1958-1998）共同創辦。她目前是法蘭克福美術學院（Hochschule für Bildende Künste-Städelschule）的藝術史與藝術理論教授。她的著作包括《在另一個世界：筆記，2014-2017》（In Another World: Notes, 2014-2017）、《繪畫的愛：一種成功媒介的系譜》（The Love of Painting: Genealogy of a Success Medium）以及《高價：藝術在市場與名人文化之間》（High Price: Art Between the Market and Celebrity Culture）。
丹尼爾·比恩鮑姆（Daniel Birnbaum）是一位瑞典藝術評論家、理論家和策展人。他曾於2010年至2018年間擔任斯德哥爾摩現代藝術博物館（Moderna Museet）的館長，目前則負責虛擬實境公司 Acute Art。
