Stephan Böhm is a Professor of Telecommunications and Mobile Media in the Media Management department of the RheinMain University of Applied Sciences in Wiesbaden, Germany. His research interests lie at the intersection of media technology and media management from an applied sciences perspective. Stephan's current research focuses on interactive media innovations, AI-based media disruption, technology acceptance research, and human-computer interaction (HCI). Steve Collins is Discipline Chair of Media and Communications in the School of Communication, Society and Culture at Macquarie University in Sydney, Australia. His research focuses on disruptions in the creative industries, copyright law, music industries and music production. He is the co-author of Music 2.0: The Future of Music. Steve is also a music producer and remixer. Alexander Godulla is a Professor of Empirical Communication and Media Research at the Institute for Communication and Media Studies (IfKMW) at Leipzig University, Germany. His research interests include AI in the media industry (deepfakes), innovations in digital journalism (virtual reality) and strategic communication (trend research), the transformation of public communication, cross-media and transmedia storytelling, denialism and the development of international photojournalism. Sarah Keith is Senior Lecturer in Media in the School of Communication, Society and Culture at Macquarie University in Sydney, Australia. Sarah's research areas include media technology and platforms, East Asian popular culture, diplomacy and soft power, and the music industries. Recent research has explored AI in the music industries, online fandom platforms, K-pop and multicultural understanding in Australia and digital disruption.
Richard Savery is a developer of artificial intelligence and robotics, using music and creativity as a medium to program better interactions, understandings and models. He is the Senior Data Scientist at Jen Music (2025) and previously a Macquarie University Research Fellow (2022-2024), developing ethically trained, high fidelity text to music systems and a rapping, drumming interactive robot. His research has received $3.8 million in funding and significant industry partnerships.
斯蒂芬·博姆（Stephan Böhm）是德國維斯巴登萊因邁因應用科技大學媒體管理系的電信與移動媒體教授。他的研究興趣位於媒體技術與媒體管理的交集，並從應用科學的角度進行探討。斯蒂芬目前的研究重點包括互動媒體創新、基於人工智慧的媒體顛覆、技術接受度研究以及人機互動（HCI）。
史蒂夫·柯林斯（Steve Collins）是澳大利亞悉尼麥考瑞大學傳播、社會與文化學院的媒體與傳播學科主任。他的研究專注於創意產業中的顛覆、版權法、音樂產業及音樂製作。他是《音樂2.0：音樂的未來》的共同作者，並且也是一名音樂製作人和混音師。
亞歷山大·戈杜拉（Alexander Godulla）是德國萊比錫大學傳播與媒體研究所（IfKMW）的實證傳播與媒體研究教授。他的研究興趣包括媒體產業中的人工智慧（深度偽造）、數位新聞學的創新（虛擬實境）和戰略傳播（趨勢研究）、公共傳播的轉型、跨媒體與跨媒體敘事、否認主義以及國際新聞攝影的發展。
莎拉·基思（Sarah Keith）是澳大利亞悉尼麥考瑞大學傳播、社會與文化學院的媒體高級講師。莎拉的研究領域包括媒體技術與平台、東亞流行文化、外交與軟實力以及音樂產業。最近的研究探討了音樂產業中的人工智慧、線上粉絲平台、K-pop以及澳大利亞的多元文化理解與數位顛覆。
理查德·薩維（Richard Savery）是一位人工智慧和機器人技術的開發者，利用音樂和創意作為媒介來編程更好的互動、理解和模型。他是Jen Music（2025）的高級數據科學家，並曾擔任麥考瑞大學的研究員（2022-2024），開發倫理訓練的高保真文本轉音樂系統和一個能夠說唱和打鼓的互動機器人。他的研究獲得了380萬美元的資金支持及重要的產業合作夥伴關係。
