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出版商:
Springer
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出版日期:
2026-01-03
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售價:
$2,280
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貴賓價:
9.5 折
$2,166
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語言:
英文
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頁數:
77
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裝訂:
Quality Paper - also called trade paper
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ISBN:
3032151368
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ISBN-13:
9783032151360
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相關分類:
光學 Optics
商品描述
This book is about impossible colours. Impossible colours earn their name because they are forbidden by opponent processing, the orthodox scientific account of how the visual system encodes colour. Yet there are good reasons to think we can and do see such colours. This book investigates two different kinds of impossible colours. First, there are reddish greens and yellowish blues, which are often thought to be impossible to see or even conceive. A range of evidence is given here that shows this to be false - including colour figures that might allow the reader to see these colours themselves. The second kind of impossible colour is entirely familiar, indeed mundane, and includes colours such as orange, purple and brown. The book assembles evidence showing that these colours are experienced as phenomenologically elementary, a fact that contradicts opponent processing theory. This book also provides a new account of colour experience, to which these two kinds of colours provide the keys, and explores the deep implications for scientific and philosophical thinking which follow. For science, impossible colours call into question the opponent process theory. For philosophy they give new perspectives on long-contested questions. Are colours characteristics of the external world, which our visual systems grant us direct experiential access to? Or are they generated in some way by the visual system, an illusion we project onto the external world?
商品描述(中文翻譯)
這本書探討了不可能的顏色。不可能的顏色之所以得名,是因為它們被對立處理(opponent processing)所禁止,這是正統的科學解釋,描述了視覺系統如何編碼顏色。然而,有充分的理由認為我們可以且確實能夠看到這些顏色。本書調查了兩種不同類型的不可能顏色。首先,有紅綠色和黃藍色,這些顏色通常被認為是不可能看到甚至無法想像的。這裡提供了一系列證據,顯示這種看法是錯誤的,包括可能讓讀者自己看到這些顏色的顏色圖形。第二種不可能的顏色則是完全熟悉的,甚至是平常的,包括橙色、紫色和棕色。本書彙集了證據,顯示這些顏色在現象學上是基本的,這一事實與對立處理理論相矛盾。本書還提供了一種新的顏色體驗解釋,這兩種顏色提供了關鍵,並探討了隨之而來的科學和哲學思考的深遠意義。對於科學而言,不可能的顏色質疑了對立處理理論。對於哲學而言,它們為長期爭論的問題提供了新的視角。顏色是外部世界的特徵,視覺系統讓我們直接體驗到的嗎?還是它們以某種方式由視覺系統生成,是我們投射到外部世界的幻覺?
作者簡介
Michael Newall is currently Adjunct Research Fellow at UniSA, working on topics spanning aesthetics, colour, perception, psychology, contemporary art and art history. From 2004-2020 he taught at the University of Kent, where he held roles including Director of the Aesthetics Research Centre and Head of History of Art. His previous book, A Philosophy of the Art School (Routledge) won the 2019 Outstanding Monograph Prize from the American Society for Aesthetics. In 2009 he was awarded the John Fisher Memorial Prize for Aesthetics from the American Society for Aesthetics.
作者簡介(中文翻譯)
邁克爾·紐瓦爾(Michael Newall)目前是南澳大利亞大學(UniSA)的兼任研究員,研究主題涵蓋美學、顏色、感知、心理學、當代藝術和藝術史。從2004年到2020年,他在肯特大學(University of Kent)任教,擔任過美學研究中心主任和藝術史系主任等職位。他的前一本書《藝術學校的哲學》(A Philosophy of the Art School,Routledge)獲得了2019年美國美學學會(American Society for Aesthetics)頒發的傑出專著獎。2009年,他獲得了美國美學學會頒發的約翰·費舍紀念獎(John Fisher Memorial Prize for Aesthetics)。