Contemporary Fantasy on Stage: From His Dark Materials to the Lion, the Witch and the Wardrobe
暫譯: 當代舞台奇幻：從《黑暗材料》到《獅子、女巫與魔衣櫃》

奇幻文學是最受喜愛的虛構類型之一，最近才以其魔幻的光彩進入學術界。然而，儘管像《哈利·波特與被詛咒的孩子》（Harry Potter and the Cursed Child）或《塵之書》（The Book of Dust）等劇作在英國舞台上無可否認的受歡迎程度，奇幻劇場作為其發展中的一個分支，至今尚未在學術界得到詳細探討。《當代舞台奇幻》（Contemporary Fantasy on Stage）旨在通過探討將當代奇幻帶入舞台的最新趨勢和實踐來彌補這一空白。本書位於劇場分析、改編研究、大眾文化研究和全球敘事實踐的矩陣中，檢視英國奇幻劇場美學的發展。

Danica Stojanovic-Schaffrath is a postdoctoral researcher and assistant at the University of Graz, Austria, where she focuses on women's writing in the early-modern period. Danica has published/is in the process of publishing several articles on staging fantasy, such as "Theatrical Hyperreality: The Effects of Breaking Formal Boundaries in Every Brilliant Thing" and the forthcoming "Tolkien's Legacy in Fantasy Theatre." She has also taught courses on fantasy literature, adaptation, and contemporary storytelling practices.

Danica Stojanovic-Schaffrath 是奧地利格拉茨大學的博士後研究員及助理，專注於早期現代時期女性寫作。Danica 已經發表或正在發表幾篇有關舞台幻想的文章，例如《戲劇超現實：在 Every Brilliant Thing 中打破形式邊界的影響》以及即將出版的《托爾金在幻想劇院中的遺產》。她還教授有關幻想文學、改編及當代敘事實踐的課程。