Multidisciplinary Perspectives on Creative Processes in Musical Improvisation: Insights from Brazil
暫譯: 巴西音樂即興創作中的創意過程的多學科視角

Monzo, Diogo, Neves-Pereira, Mônica Souza

Multidisciplinary Perspectives on Creative Processes in Musical Improvisation: Insights from Brazil
  • 出版商: Palgrave MacMillan
  • 出版日期: 2026-07-26
  • 售價: $2,100
  • 貴賓價: 9.5 折 $1,995
  • 語言: 英文
  • 頁數: 173
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 303226930X
  • ISBN-13: 9783032269300
  • 相關分類: 視覺影音設計

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商品描述

This book investigates the creative processes within musical improvisation, combining perspectives from musicology and psychology. Drawing on research results, theoretical analyses, and sociocultural experiences, it discusses a new theoretical and methodological framework to study the actions, processes of self-constitution, musical making, and creativity of improvisers. Its central claims position improvisation as inherently creative due to its production of novelty within performance constraints, driven by unpredictability that demands constant adaptation and expands creative possibilities.

Building on an introductory chapter that sets out the interdisciplinary scope of the project -with insights from cultural psychology, performance studies, and musicology- the authors use theoretical frameworks as well as empirical and practice-based research to reframe improvisation as a fundamental site of human creativity, with a particular focus on Brazilian academic contexts. An insightful reflection on the social and political potential of improvisation as a space for navigating uncertainty, embracing the unknown, and fostering collective creation, this book is the perfect read for scholars in cultural and cognitive psychology, music studies, creativity studies, philosophy, and related disciplines.

商品描述(中文翻譯)

本書探討音樂即興創作中的創造過程，結合音樂學和心理學的觀點。根據研究結果、理論分析和社會文化經驗，討論了一個新的理論和方法框架，以研究即興者的行動、自我構成過程、音樂創作和創造力。其核心主張將即興創作視為本質上具有創造性的，因為它在表演限制內產生新穎性，並受到不可預測性的驅動，這要求不斷適應並擴展創造的可能性。

本書以一個介紹性章節為基礎，闡明該項目的跨學科範疇，並從文化心理學、表演研究和音樂學中獲得見解。作者利用理論框架以及實證和基於實踐的研究，重新定義即興創作為人類創造力的基本場域，特別關注巴西的學術背景。這本書深入反思即興創作作為一個應對不確定性、擁抱未知和促進集體創作的空間的社會和政治潛力，對於文化和認知心理學、音樂研究、創造力研究、哲學及相關學科的學者來說，是一本完美的讀物。

作者簡介

Diogo Monzo is the author of the theoretical model and the book Distributed Free Improvisation: A Cultural Affective-Semiotic Perspective on Creativity. He is currently engaged in postdoctoral research at the Institute of Psychology, University of Brasília, Brazil. He is also a recording artist with a career in popular music and musical improvisation.

Mônica Souza Neves-Pereira is Associate Professor in the Department of School and Developmental Psychology at the Institute of Psychology, University of Brasília, and Full Professor in the Postgraduate Program in Developmental and School Psychology (PGPDE). Her research focuses on theoretical approaches to the cultural psychology of creativity, processes of creativity development in the school context, and creativity and racism.

作者簡介(中文翻譯)

Diogo Monzo 是理論模型的作者以及書籍 分散式自由即興創作：創造力的文化情感符號學視角 的作者。他目前在巴西巴西利亞大學心理學研究所從事博士後研究。他也是一位錄音藝術家，擁有流行音樂和音樂即興創作的職業生涯。

Mônica Souza Neves-Pereira 是巴西巴西利亞大學心理學研究所學校與發展心理學系的副教授，以及發展與學校心理學研究所（PGPDE）的正教授。她的研究專注於創造力的文化心理學理論方法、學校環境中的創造力發展過程，以及創造力與種族主義之間的關係。

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