Seven Years: The Rematerialisation of Art from 2011-2017
暫譯: 七年：2011年至2017年藝術的再物質化

Seven years in twenty-first century contemporary art, as seen in a series of columns by curator and writer Maria Lind.

Seven Years offers a subjective chronicle of contemporary art during the second decade of the twenty-first century, seen through a series of columns by curator, writer, and educator Maria Lind. Writing for the print edition of ArtReview, Lind considers individual artworks and exhibitions and contributes to conversations and debates developing in the art world and beyond. She explores work by Haegue Yang, Hassan Khan, Uglycute, Tania Perez-Cordova, and Walid Raad, among others, and discusses such exhibitions as dOCUMENTA (13), the Sharjah Biennial 12, the 3rd Ural Industrial Biennial, and several editions of the Venice Biennale.

Lind's writings are accompanied by other texts: artists Goldin+Senneby discuss Lind's materialist approach through the use of the word "hand" in the introduction to the volume; Sof a Hern ndez Chong Cuy reflects on how writing can affect curatorial work, and vice versa; artist Ahmet g t conducts an imagined interview with Lind; and Philippe Parreno weaves a summary of the years between 2010 and 2018, highlighting the notion of potentiality. A postscript by Lind's fellow curator Joanna Warsza compiles a glossary of the book's key ideas and terms.

Contributors

Goldin+Senneby, Sof a Hern ndez Chong Cuy, Ahmet g t, Philippe Parreno, Joanna Warsza