相關主題
商品描述
This volume reshapes a contemporary understanding of research in theatre and performance arts. Bringing together distinguished scholars from all over the world, the book serves as an arena for international scholars to introduce innovative research methodologies and disseminate their research findings regarding VLT, data archiving, and digital history and discusses the impacts of digital culture in art production, stage performance, film, and literature. The Ibsen focus in the book is illustrative of the power of digital database research that is generating new relations in spatial-historical dimensions that have otherwise gone unnoticed. It demonstrates how a new methodology can bring practical benefits to handling big data with the support of digital technologies. In line with the post-pandemic landscape, this book engages a reflection on how the digital revolution has brought about changes and challenges, and constraints and breakthroughs within the field oftheatre and performance arts. It is of appeal to theatre artists and practitioners, scholars, critics, librarians, digital archive engineers, and postgraduate students interested in theatre, performance studies, digital media, information technology, library science, communication, education, sociology, as well as political science.
"The book investigates the latest methodological development in digital cultures and performance arts, which significantly contributes to the ever-changing and increasingly advanced technological culture in this field." - Jessica Tsui-yan Li, York University, Canada
"In line with the post-pandemic landscape, this book engages the reader in reflecting on how the digital revolution has brought about chances and challenges, constraints and breakthroughs to the field of theatre and performance arts. An original, eye-opening and inspiring volume at multiple levels, this book brings together distinguished scholars from all over the world."
- Dr Anna Tso, The Hang Seng University of Hong Kong
商品描述(中文翻譯)
這本書重新塑造了當代對於戲劇與表演藝術研究的理解。匯聚了來自世界各地的傑出學者，該書作為國際學者介紹創新研究方法論和傳播其研究成果的舞台，涉及VLT、數據存檔和數位歷史的研究，並討論數位文化在藝術創作、舞台表演、電影和文學中的影響。書中對易卜生的聚焦展示了數位資料庫研究的力量，這種研究在空間-歷史維度上產生了新的關係，這些關係在過去往往被忽視。它展示了如何利用數位技術的支持，通過新方法論為處理大數據帶來實際好處。與後疫情時代的背景相符，這本書引導讀者反思數位革命如何在戲劇與表演藝術領域帶來變化與挑戰，以及限制與突破。對於戲劇藝術家和從業者、學者、評論家、圖書館員、數位檔案工程師以及對戲劇、表演研究、數位媒體、資訊技術、圖書館學、傳播學、教育學、社會學以及政治學感興趣的研究生來說，這本書都具有吸引力。
「這本書探討了數位文化和表演藝術中最新的方法論發展，對於這一領域不斷變化和日益先進的技術文化作出了重要貢獻。」 - 加拿大約克大學的Jessica Tsui-yan Li
「與後疫情時代的背景相符，這本書引導讀者反思數位革命如何在戲劇與表演藝術領域帶來機會與挑戰、限制與突破。這是一本原創、啟發性且在多個層面上都令人耳目一新的著作，匯聚了來自世界各地的傑出學者。」 - 香港恒生大學的Anna Tso博士
作者簡介
Kwok-kan TAM is Chair Professor of English and Dean of the School of Humanities and Social Science at the Hang Seng University of Hong Kong. He is former Head and current member of the International Ibsen Committee, University of Oslo. His recent publications include the books Ibsen, Power and the Self: Postsocialist Chinese Experimentations in Stage Performance and Film (2019); Chinese Ibsenism: Reinventions of Women, Class and Nation (2019); and The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019). He edits the Springer book series Digital Culture and Humanities.
作者簡介(中文翻譯)
郭根譚（Kwok-kan TAM）是香港恒生大學人文社會科學學院的英語講座教授及院長。他曾擔任奧斯陸大學國際易卜生委員會的主任，現為該委員會成員。他最近的出版作品包括《易卜生、權力與自我：後社會主義中國在舞台表演和電影中的實驗》（2019年）、《中國易卜生主義：女性、階級與國家的再造》（2019年）以及《英語化的主體：香港、新加坡和馬來西亞的後殖民寫作》（2019年）。他編輯了施普林格（Springer）出版的《數位文化與人文學科》系列書籍。
